Categories
Politics

On "Liberality" for all…

Normally I’d linklog something like this, but I didn’t think people would really get how jaw-on-the-floor stunned I was about it unless I wrote something a bit more substantial. So here we are. I’d like to introduce you all to the future of literature for kids – Liberality, an American Neo-Con comic book in the vein of The Authority only this time positing a future America where the government has become “an Orwellian nightmare of ultra-liberalism” and a new super-heroic force of famous mechanically-enhanced right-wingers must take back the country from the United Nations. This epic force of good-doers features (I kid you not) Conservative talk-radio and Fox News strop-monkey Sean Hannity, Watergate enthusiast and friend of Nixon G. Gordon Liddy and Iran-Contra Smuggler and Reaganite Oliver North.

Here’s my favourite part of the preview of the comic book, in which the evil new liberal orthodoxy welcomes Osama Bin Laden to the UN to apologise for 9/11 and look forward to a new liberal millennium. What more can I say. Wow.

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Random

Links for 2005-07-31

Categories
Family

"My name is Tom and I might be your son"

A little over a month ago I got a letter from Traceline saying that they thought they’d found my father. At the time I was in San Francisco attending a one-day workshop presented by Cal about Flickr and running around like a mad thing between conferences, parties and lots of neat companies . I managed to bury the whole family drama in the back of my mind at the time. I had too much else to do.

Unfortunately, the pace hasn’t let up one bit since I got back to the UK. I’ve spent much of my time writing up my Supernova notes, working on strategic stuff at the BBC and launching the Listen Live widget. And around me the world has gone nuts – first London won the Olympic bid, then we all stood firm against terrorists, bore silent tribute to the victims of the first attacks and then – before the dust had cleared – found ourselves in the middle of another bout of terrorism. My brother came for the weekend, Open Tech happened all over the place, Matt Biddulph announced he was leaving the BBC and Odeo launched. And there was Live8, of course. And I turned 33

All in all, it’s been a bloody hard and tiring month, and the backlog of important things that I really want to do has got larger and larger. And at the top of that pile has been the most nerve-wracking project of all – finding my father – and the next step in that project: writing a letter to him to try and persuade him to re-establish contact after nearly thirty years.

Throughout the rest of this process with Traceline, I’ve been publishing regular updates to the web for everyone to read. By putting it all in public I’ve been able to keep some of the emotional aspects of the whole enterprise at arms length and to look at it slightly more dispassionately. It’s also somehow given me the nerve to continue – feeling that other people are somehow rooting for me and deriving value from this experience (one way or another) has been, I think, profoundly helpful.

But writing this letter has been harder than I expected. It’s taken me all morning, wrangling with words, trying to get something assembled that is open and honest without being too scary or intimidating. I’ve been trying to find the right set of words that suggests how easy the next stage should be, while recognising how profoundly impactful it might seem. I’ve tried to communicate how deeply I feel the need to keep going, to find my father, without making him feel that need directly as a burden.

It’s been a bloody hard few hours and the result is an unusually bald piece of writing for me. It’s not got much of my normal ornamental style, it’s almost completely lacking in curlicues. Too keep it real, I’ve had to strip all that stuff away, get rid of the posing and camoflage and just say what’s going on in my head. As a result, I think it would be too difficult for me to the letter out in public. So I’m not going to. I’ve reread it a number of times, I’ve sent it to some close friends for their comments and thoughts. And now I’m going to sit on it for a couple of days. If it still feels right on Monday morning, then it’s in the post. And then God only knows what happens next…

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Random

Links for 2005-07-30

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Random

On the DVD release of Alexander…

I keep seeing adverts for the DVD of Alexander and they keep using the words, “action-packed” and “a new version” and “director’s cut”, and all I hear is, “now with less gay stuff”. I haven’t seen it yet of course, so I might be being unfair. I wrote a note about the reaction at the time called On Alexander and Uncle Tom, if you’re interested…

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Random

Links for 2005-07-28

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Random

Links for 2005-07-27

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Random

Semi-intelligent cloud-abstracting cows…

There’s an advert on British television at the moment featuring two animated clouds looking for additives. One asks the other if he’s seen any additives, the other says he’s seen something that might be an additive. It looks like a cloud with legs. The other cow suggests perhaps it’s a sheep.

And it occurs to me that sheep do not look like clouds. But simplified pictures of sheep drawn by children look like pictures of clouds. We abstract them in the same way – but it’s only in this second order, in these abstracted images, that a connection is made. I find the advert troubling because it implies a whole culture of drawing cows performing complex mental transformations and yet being too stupid to understand what they’re doing. Stupid, confused man-cows roaming the countryside getting confused by their own reasoning processes. Freaks me out. Maybe if it was funny

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Random

Links for 2005-07-26

Categories
Business

Where are all the UK start-ups?

I find myself thinking of my country and my industry – and what I see confuses and confounds me. This is a tiny little country that remains a world power, one of the few trillion dollar economies in the world. It has 50% take-up of broadband, some huge telecommunications companies and thousands of people working on and around the internet. But still our industry seems dominated by a few moribund and clumsy giants leading a culture that’s inarticulate, unadventurous and profoundly constrained. There’s something very wrong here.

My main question is this: Where are all the bloody start-ups? Where are the small passionate groups of creative technologists (people with clue) getting together to build web applications and public-facing products that push things forward? Where is the Blogger or Flickr or Odeo or Six Apart of the UK? What aspect of this country is it that confounds these aspirations? And I know that Audioscrobbler is wonderful. I really love it. But eventually you have to ask – is that really all we can do?

So is it a lack of money or a poverty of ambition? The UK has some of the world’s best and most creative film directors – but they don’t make films in the UK, they make adverts. Some of the world’s best (and most expensive) advertisements are made in this country, arranged around home-made TV programming that costs a fraction of the price. But when film directors get bored of selling sugar water they move on to make their proper movies. And for the most part, they go to the States.

The same seems true online. The web industry over here is dominated by advertising and marketing because London is dominated by advertising and marketing. People think that the States is the home of this stuff, but it’s not true – American advertising is clumsy and blatant compared to the calculating work done over here. Everything is put to the end of selling something else and I’m routinely surprised by what is for sale. Every event is sponsored by one multi-national or another, from the BAFTAs to the equivalent of the Grammys. On the web, some of the work is absolutely stunning – but it’s all bloody agency stuff – support sites, brochureware, Flash. There’s money all around the place to make things, but still such boring stuff gets made. It’s all just another shiny thing on a conveyer belt already groaning under the weight of shiny things – an environment where the only way to innovate is to get shinier and more illusory, rather than more useful.

All this work is churned out by the ton by great people (and not so great people) hired by marketeers – because apparently there is no one else out there who will harness them to make neat new things that the world could use. The major internet companies have presences in the UK of course, but they’re mostly localisation departments / sales departments / advertising departments. They have technical and creative people working for them, but on the whole they’re not making new products. They’re just selling and supporting the existing ones. The whole bloody place seems to be about selling things made elsewhere, working for the unambitious.

There are exceptions of course – but even then the tiny fragments of things that we do create seem resolutely parochial – little products aimed at exploiting the tiny idiosyncratic spaces in British culture that huge initiatives from the major net powers have missed – albeit momentarily.

So what is it that stops us making great things, starting start-ups and building for money? I contend that in part it’s shame. Certainly the business people of Britain seem to be – at a certain level – highly uncomfortable with the existence of technical people. They’re not a resource to be exploited, or people to collaborate with. The nerdy people who make and create seem to be shuffled to the side, kept in the background, so as not to curdle the canapés at the business meet and greets that are the real motivators of British business. The businessman and the creative technologist seem to be forced into two camps so repulsed by one another (betrayed by dot.com?) that they just circle at a distance, each almost refusing to admit the other exists. So the business people look towards the stable money and wait for the innovations to come in from abroad, or leap clumsily onto bandwagons with the help of the visionless, while the technologists dogmatically avoid anything that looks like it might have been sullied with the hint of a business model.

I look at many of my peers and I’m delighted by the projects that they get involved in – they’ve connected people with politics, connected people with their representatives, found ways for people to work together to make the world better, opened up the writings of incredible diarists, created incredible local information services and worked on open calendaring projects. But would it really be so bad for them to spend some of their time building products that were aimed at changing the world by changing how people do everyday things all over the world, or opened up new spaces for creativity or sharing or self-expression or shopping or whatever? There’s a wonderful creative culture here that cannot commercialise itself. But we all use Flickr and del.icio.us so we can’t have that much trouble with people trying to make a business out of being great, surely? Or is it just when the British do it that we’re all expected to rend and tear?

What is it about this place that there is so little energy in these directions – are we so hamstrung by geography or history or culture that we cannot innovate, build and then commercialise? I look around and I see some of the brightest and best people I know in the world creating world-class ideas that get exploited elsewhere, or are simply thrown away. It’s not right and we should do something about it – I’m just unclear about whether that’s stand up and be counted, or burn it all down and never look back.